Having quickly established himself among the progressive acts in Europe sinceinHenrik Nilsson from Sweden took a break from the music scene to focus on his job career. However, definitely marked a new start for Henrik. Not only he got signed by Blue Tunes Records, but he also developed a signature melodic and groovy sound. Inspired by groundbreakers like Phaxe, this transition from hard offbeat to a melodic and emotional style suits any sunny festival afternoon well.
Prepared, documented and catalogued by Suzan M. In under the guidance of Prof. The most noteworthy collaborators of the project are Professor Suheyla Artemel of Yeditepe and Bogazici University, and the Fuchs family heirs, here especially Dr. Hermann Fuchs, whose great efforts as preserving the Fuchs material, conducting academic research, organizing exhibitions and workshops, over the years have made it possible to make the material available for researchers in Turkey and abroad.
The current project and archive director is Dr. Saved and guarded over many years by the inspired and idealistic Prof. In this context, another remarkable member of the Fuchs Project has to be mentioned: Gerald Bekanntschaften konstanz, Professor Emiritus of Leipzig University and a distinguished German archivist well known even across the borders of Germany.
He not only helped initiating the Archive but also conducted research that brought supplementary material to light. He made the Fuchs Project his primary concern and trained, mentored and guided junior archivist Suzan M.
Kalayci in the making of the Archive from beginning to end. Without his self- sacrificing work and effort, his patience and humbleness the completition of the Archive would not have been possible. Many people believed in the Fuchs Archival Project and helped with their expertise and know-how, with their continous trust and constant affirmation to realize the immense difficult task of founding the Traugott Fuchs Cultural and Historical Heritage Archive; the first archive of its kind in Turkey.
Among them are in alphabetical order: Mehmet Nafi Artemel, Dr. Hermann Fuchs and his wife Gisela, Prof. Ayse Soysal, and many more.
Spitzer and Auerbach are invited to teach at Istanbul University and Fuchs follows soon after. His research material can never be amassed again because of financial problems and the lack of adequate research facilities. His family and inheritors of his assets, under the supervision of their representative and his nephew Dr.
The Traugott Fuchs Cultural and Historical Heritage Archive is a reference only collection, none of the documents found in the collection must leave the archive rooms. Smoking and the consumption of both food and drink are forbidden in the Archive.
The user has to ask for an appointment in the archive in advance by e-mail to traugottfuchsarchive gmail. If inspection of the archive catalogue is needed to specify the document san additional first visit shall be foreseen which, too, must be asked for by e-mail.
If yes, what type of publication? The researcher is to be reminded that the process of photocopying is very harmful for historical documents.
Copies can be made on demand in the Archive with permission of the archive director. However, extensive photocopying more than pages is not desired. If any documents from the archive are used, quoted or reproduced in any kind of publication, the archive must be notified and asked for permission to use the quoted material in the given context.
The archive as source must be fully acknowledged, and a copy of the publication sent to the archive.
Material must be quoted, as follows: The Archive reserves the right to restrict the use of material which is exceptionally valuable or fragile. Also, certain classified documents diaries, specific letters may be also restricted for as explained in appropriate footnotes within the catalogue. Exceptional permission may be given by the representative of the heirs after thorough discussion of the intended study and its purposes.Ready-made Websites.
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